Tag Archives: bombay bicycle club

Album Review: God First (2017) by Mr Jukes

It’s been a couple of years now since beloved indie rock band Bombay Bicycle Club was put on hiatus. In January, we found out what bassist Ed Nash had been up to with the release of The Pace Of Passing, the debut album from his new project Toothless (which I wasn’t particularly a fan of), and now with God First we know what frontman Jack Steadman has been working on.

It’s tempting to call Mr. Jukes Steadman’s ‘solo project’ though that’s only true in the same sense that Gorillaz is a Damon Albarn solo project. God First is basically one big collaboration album, featuring appearances from musicians such as Charles Bradley, BJ The Chicago Kid and De La Soul (just to drive home that Gorillaz comparison a little bit more). In some ways, it feels like a natural progression from Bombay Bicycle Club’s last album, So Long, See You Tomorrow, with there being a heavy focus on sampling and a large amount of influence from Eastern music. And, in other ways, it’s very different from Bombay Bicycle Club – having a much heavier jazz and soul focus than Steadman’s other work.

Lead single ‘Angels/ Your Love’ probably shows this best. The first half of the funky track – easily one of the album’s best moments – is propelled forward by a chorus of trumpets and chanting gospel vocals, while the second half features a fantastic feature from BJ The Chicago Kid. The song’s lyrics aren’t anything particularly original, but BJ gives the hook enough enthusiasm that it’s easy to overlook this: ‘Would you be my love?’ The song is just full of energy; it’s infectiously fun.

Just about every track has something noteworthy or interesting going on in it, though some moments are definitely better than others. Opener ‘Typhoon’ does a great job of building up anticipation with its ominous vocals, ‘Grant Green’ features a pretty passionate performance from Charles Bradley and ‘Leap Of Faith’ features some great interplay between De La Soul and Horace Andy. ‘When Your Light Goes Out’ might be my favourite song on God First though, featuring some gorgeously sweet vocals from Lianne La Havas and Steadman (one of the few times he actually takes on lead vocal duties on the record). It feels like the perfect climactic moment for the album.

There are only a few places where the instrumentation doesn’t really work for me on God First, such as on ‘Somebody New’; the synths that come in after the chorus really don’t mesh well with the track’s gentle strings, just feeling a bit awkward. However, the album’s main weak point for me is its lyrics. Given that Jack Steadman is behind them – who wrote some truly great lyrics for Bombay Bicycle Club – there are some pretty bad clichés on here, like on ‘Somebody New’ when we’re told that ‘life ain’t like no box of chocolates’. In other places, the lyrics just feel kinda lazy, like the refrain on ‘Magic’: ‘Stop your madness, stop your sadness’. Of course, there are some decent lyrics here and there but nothing up to the standard of Steadman’s previous work.

I’d also say the album has a bit of an issue in terms of flow (reminding me again of the last Gorillaz album). Because the lead vocalist changes from track to track, it sometimes felt like I was listening to a playlist instead of an album. As a result, the album works best for me in individual moments rather than as a complete album, featuring a handful of really strong tracks. If you’re just looking for ‘more Bombay Bicycle Club’ though, you will be disappointed. Mr Jukes is something completely different and that’s not a bad thing.

Best Tracks: ‘Angels/ Your Love’, ‘Magic’, ‘When Your Light Goes Out’

Album Review: The Pace of Passing (2017) by Toothless

The Pace of Passing is the first album from Toothless, a project led by Bombay Bicycle Club bassist Ed Nash. And to be honest, it’s a bit of a mixed bag. With so many of Bombay Bicycle Club’s songs having killer basslines – ‘Always Like This’ is the most obvious example – it was kind of easy to have high hopes for an album put together by the band’s bassist. And while Toothless’s debut isn’t awful, some elements of it definitely work significantly better than others.

Let’s start off with The Pace of Passing’s biggest weakness: Ed Nash’s vocals. He really can’t sing that well at all. His voice is about as bland as they get, having no force or emotion to it. There are plenty of frontmen out there who can’t sing very well, but manage to get away with it by putting enough passion into their voice or by having a unique quality. Nash’s vocals just sound kind of whinny at times, and it never really feels like he cares much about what he’s singing about. Whether it’s a romantic song like ‘Palm’s Backside’ or a more sinister one like ‘You Thought I Was Your Friend’, Nash’s vocals just aren’t good enough to get across the feelings you can tell he’s trying to.

And this kind of brings me to the album’s other big weakness, the lyrics. Most of the time they’re okay – never really passing beyond serviceable – but sometimes they make me want to full-on cringe. The chorus of ‘Palm’s Backside’ is particularly bad. And even when the lyrics aren’t awful, Nash’s delivery seems to drag them down. A good example of this is at the beginning of ‘Palm’s Backside’ (back to this song again); the way Nash draws out the opening lines just comes across as forced and slightly embarrassing.

But while these two elements of the album are almost consistently meh, the instrumentation on some of these tracks manages to save them a little bit. The opener ‘Charon’ has a beautiful mood to it, with the string instruments featured really helping it feel grand. The album closer ‘Terra’ similarly has a great mood, with the instrumentation reflecting the subject of the song well. Almost all of the songs on the album deal with mythology as a subject matter – as shown by song titles like ‘Sisyphus’ – and the instruments often sound fittingly grand because of this.

Another good move than Nash made on this album was making use of guest vocalists. While almost all of them are underused, Wild Beasts’ Tom Fleming especially, they often manage to provide a certain gravitas that the lead singer can’t muster. ‘The Sirens’ works mainly because of the guest vocals from The Staves – easily being one of the best tracks on the album. There are a lot of times on The Pace of Passing that Toothless try to go for a catchy almost poppy feel, and it only really works on this song.

‘The Sun’s Midlife Crisis’ is another song that I have to give props to. Though it has a few weak lyrics in it, the song has a genuinely interesting focus, being about exactly what its title suggests it is. Like a lot of the songs on the album it has a mythological vibe, almost feeling like a fable. Not every element of the song works, but it’s got a certain uniqueness to it that I felt was worth highlighting.

Overall though, the album’s glimmers of goodness don’t really save it from its weaker aspects. Sadly it’s not one of those mixed albums that’s made up of some great songs and some bad ones… More it’s one of those mixed albums that’s made of good elements and bad elements that feature in every track. While some songs are definitely better than others, my resounding verdict on The Pace of Passing is meh.

Essential Songs: ‘Charon’, ‘The Sun’s Midlife Crisis’, ‘The Sirens’.