With their last album, it felt like Future Islands had perfected their synth-pop formula, delivering some of their most emotional ballads yet. From break-out single ‘Seasons (Waiting On You)’ to the moody and growling ‘Fall From Grace’, Singles was filled with fantastic songs. As the album’s title suggests, pretty much all of them were up to ‘single’ standard.
So where next? On their fifth album, The Far Field, Future Islands don’t try to mess with their signature sound too much, which is both its greatest strength and its greatest weakness. Though far from being Singles 2, the album does feature a number of songs that could have fit snuggly onto the band’s past releases. Like I said, this is a weakness and a strength. On one hand, some might find the The Far Field to be a little bit on the samey side, but on the other hand, if it ain’t broken, don’t fix it – right?
The first half of the album in particular shows the band staying squarely in their comfort zone. Songs like ‘Time On Her Side’ and ‘Ran’ are instant classic Future Islands tracks, featuring powerful vocal performances from Samuel T. Herring as well as some pretty moving lyrics: ‘What’s a song without you / When every song I write’s about you?’ ‘Cave’ is another stand-out on the album’s first half, with Herring unleashing the fiercer side of voice, which is always great. It’s not the first time that Future Islands have put out a song about heartbreak, but the passion they put into it makes it feel incredibly fresh.
On the album’s second half, we do get to see the band try out some new styles. ‘Candles’ stands out through its slow pace and groovy bassline, being perhaps the most intimate song the band have released; ‘Shadows’ is an emotional duet, featuring guest vocals from Debbie Harry of Blondie; ‘North Star’ has a jumpy charm to it, with Herring reeling off lyrics with more upbeat enthusiasm than usual: ‘But if the sun don’t shine / Well, then the birds won’t sing.’ These songs are still very obviously ‘Future Islands’ songs, but these experiments with style help keep the album from feeling too samey.
One thing that sets The Far Field apart from its predecessor is that definitely feels more like a complete set of songs. At the risk of sounding incredibly cheesy, it sounds more like a journey. While Singles felt like, well, single after single, this album builds up momentum slowly. Opener ‘Aladdin’ takes its time to get going, fading in slowly, with the next couple of tracks slowly raising the intensity.
There is also more thematic unity among the songs. As shown by some tracks’ titles – ‘Beauty of the Road’, ‘Cave’, ‘Through the Roses’ – as well as the album’s title, The Far Field, it is focused on the natural world. On ‘Aladdin’, Herring sings about the ‘the dew of the field’ and on ‘Ancient Water’ he dreams of being ‘patient like the forest’. On the album, the outside world is shown as something that promotes love – on many tracks Herring sings of exploring the world with his loved one – and something that hinders it, with other songs like ‘North Star’ being about the large distance between the protagonist and his love.
Whether you’ll love The Far Field or not will depend largely on how you feel about the band’s previous albums. This isn’t the album that’s going to convert you to loving Future Islands, but if you like what they’ve been doing up this point then I’m sure you’ll enjoy it. It may be a bit cheesy at times, but there’s no denying that a lot of heart has gone into every track.
Essential Songs: ‘Ran’, ‘Cave’, ‘Candles’.