Review: Starboy (2016) by The Weeknd

I hadn’t really listened to much of The Weeknd before this album – well, only ‘Can’t Feel My Face’ really. R&B music has never been my sort of thing (not that I have anything against it) and so apart from the aforementioned very poppy single, he hasn’t really been on my radar.

Though he really did grab me with the lead single from this album, ‘Starboy’. With the popping Daft Punk synths and undeniably badass lyrics (you can’t hate ‘I’m a motherfucking Starboy’), it really got stuck in my head. The next single, ‘False Alarm’, while not as solid was still pretty good (though I seem to be alone in this opinion) and the last one, ‘I Feel It Coming’, pretty much sealed the deal on my interest.

So where to start with this one? How about, ‘No pop album needs to be 18 songs long?’ Though Starboy has many problems, perhaps the biggest is its length. Like the Bastille album I reviewed earlier this year, this album has no reason to be as long as it is. In fact, I can only think of a few albums that need to be over an hour long (This is Happening by LCD Soundsystem for example), and Starboy is not one of them… Especially because it talks about the same subjects over and over. Every song is pretty much about the same thing (Abel moans about his fame, has sex with some woman, rinse and repeat) and the quality with which the songs explore this idea varies.

So, the highlights… ‘Reminder’ is a solid chilled-out number with some great lyrics (especially Abel talking about winning the Nickelodeon Kid’s Choice Award with a song about cocaine. ‘A Lonely Night’ has some mega-cheesy lyrics, but the undeniable grooviness of the track makes it forgivable. ‘True Colors’ stands out through being one of the quietest songs on the album – and also one of the few ones that can be described as ‘kinda romantic’. Other highlights include ‘Secrets’, ‘Party Monster’ and the ‘Stargirl – Interlude’, which acts as a nice change up from Abel’s vocals.

The two Daft Punk collabs that bookend the album are far and away the best tracks. I’ve said what I like about ‘Starboy’ already, and ‘I Feel It Coming’ won me over by being one of the most dancey (and dare I say sexy?) tracks on the album, also managing to weave in some pretty good lyrics. It’s one of those songs that just makes you want to dance, even if you’re horrible at dancing like me.

So now the bad. And this is where the album’s length comes in again – if Starboy was only 11 tracks long, it would be much easier to put up with the weaker tracks. But it isn’t. As a result, it’s easy to get fatigued by all the sub-par songs before you even reach the halfway point of the album.

The first downright bad song on Starboy is ‘Rockin’’ which has some of the cringiest lyrics on the album. Take the chorus for example: ‘I just want your body next to me / Because it brings me so much ecstasy / We can just be rockin’’. Jeez. The instrumentation on the song is pretty fun, if uninspiring, but it doesn’t save the song from coming across as a flimsy attempt at The Weeknd trying to recreate the success of ‘Can’t Feel My Face’.

‘Love to Lay’ suffers from similar problems, ‘Nothing Without You’ is a bland and unconvincing love song and ‘All I Know’ feels unnecessarily long and dragged out. Another one of the album’s weakest tracks is ‘Ordinary Life’, where Abel, once again, moans about his fame. In addition to this, the cringy and unnecessary opening just seem to make the album’s more romantic songs (like ‘Die For You’) incredibly unconvincing: ‘Heaven in a mouth, got a hell of a tongue / I can feel her teeth when I drive on a bump.’ Despite this album having plenty of good songs, it has more bad ones.

If you want an easy going, mostly fun, album to listen to in the car or to stick on for a party, Starboy is a pretty solid choice. Its bright spots save it from being completely terrible, though you might be better off listening to the highlights rather than the whole thing.

Essential Songs: ‘Starboy’, ‘Reminder’, ‘I Feel It Coming’.

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