Wild Beasts (28/09/16)

 

I feel like Wild Beasts specifically chose Motion to perform in due to its ‘rougher’ feel compared to Bristol’s other popular venues like the O2. Boy King has a rough, seedy vibe to it, and the place that the band perform in – and how they perform – reflects this.

I think I was more excited for this gig than any other one this year. Not just because Boy King is a great album, but because Wild Beasts have an incredible back catalogue of songs as well. All of their albums are great for different reasons, from the over-the-top flamboyant Limbo, Panto to the low key and sensual Present Tense.

But before Wild Beasts, there were two support acts – Ardyn and Money (who just might have the hardest to Google band name ever). I only knew one Ardyn song going into the gig, ‘The Valley’ (which sounded great live), and thought they delivered a great set. They have a nice folksy style, and I’ll definitely be looking up some more of their stuff in the future.

Money were pretty incredible as well. Frontman Jamie Lee has a mesmerising quality about him, and really managed to hold the audience’s attention well. Their songs have a nice, loose unstructured feel to them… It felt like they were playing songs around a campfire in the middle of the night rather than performing in what was essentially a night club. The only issue I had with these two bands is that they kind of felt like odd choices for supporting Wild Beasts, having very folksy styles compared to the headliner’s more electronic, synth-based sound.

Wild Beasts opened their set with ‘Big Cat’, which sounded huge live. All of the songs on Boy King sound like they’re designed to be played live, and this concert only confirmed that. ‘Big Cat’ and ‘He The Colossus’, two of my least favourite songs from the album, ended up sounding best at the gig. ‘He The Colossus’ in particular was fantastic, exploding into a loud, brash guitar solo at its end. The solo sounded good on the album of course, but live it’s just on another level.

The first half of the set leaned heavily on old songs – something I can’t really complain about. Two Dancers hits ‘Hooting & Howling’ and ‘We Still Got the Taste Dancin’ On Our Tongues’ got great reactions from the audience and rightly so. I found it admirable that Hayden Thorpe still sung the songs with so much passion even after playing them for so many years. Other classics like ‘Mecca’ and ‘Bed of Nails’ also sounded great live, with an extra bit of oomph being added to them to reflect the band’s new style. ‘Wanderlust’ – maybe the band’s biggest hit – got lost in the set a little bit, and really felt like it should have been saved for the encore. Still, it sounded great.

Another easy highlight was ‘Lion’s Share’, the opener from their third album Smother. I really didn’t expect the band to break this one out, and it didn’t really fit in that well amongst all the much louder songs, but it didn’t fail to create a round of deafening applause. It’s maybe the simplest, most stripped down song Wild Beasts have in their library – placing all the weight on Hayden Thorpe and Tom Fleming’s duelling vocals – and ended up being a nice change of pace.

As old songs were the focus of the set’s first half, the second half was made up of some of the best tracks from Boy King. ‘Tough Guy’ was great as expected – Hayden even concluded the song with a ‘Fuck yeah’ – ‘2BU’ was as haunting and sinister as its album counterpart and ‘Celestial Creatures’, my personal favourite from the new album, sounded fantastic with its otherworldly-sounding synths. I was a little underwhelmed by ‘Alpha Female’, ‘Get My Bang’ didn’t really carry the oomph I think the band were hoping for, and it was slightly disappointing that they didn’t play ‘Dreamliner’, (or anything from Limbo, Panto) but these small blemishes are forgivable in what was a great show. They of course rounded things off with their classic ‘All the King’s Men’, which demonstrated that Tom is every bit as good a vocalist as Hayden. A really brilliant show overall.

 

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