Eleanor Wasserberg’s debut is an odd novel – but in a good way. It focuses on a family that lives in a huge country estate named Foxlowe; the ‘family’ is made up of people from all walks of life, all of them having ended up at Foxlowe for different reasons. Unlike most of the house’s residents, Green was born at Foxlowe and knows no other life. With her two childhood friends, Blue and Toby, Green tries to survive as the only world she’s ever known begins to fall apart.
Going into Foxlowe completely blind, I thought the setting was post-apocalyptic at first. The novel has a claustrophobic feel to it – only giving the reader brief glimpses of the world beyond Foxlowe. Like Green, and many of the other residents of Foxlowe, we aren’t allowed to venture any further than the moors that surround the house.
However, rather than being an apocalypse novel, Foxlowe is a cult novel. The residents do believe themselves to be living in a post-apocalyptic world though – one taken over by an all-encompassing evil referred to only as the Bad – and Foxlowe is seen as the only haven. The benefit of the story being told from Green’s perspective, someone who knows no other life, is that it allows the author to make the cult’s lives seem normal and understandable. There’s something appealing about the world that Green romanticises so deeply.
But if Wasserberg uses the novel’s first half to romanticise cult life, illustrating the positive ideas it promotes such as community, then she uses the second half to examine it with brutal reality. Though there are some flashes of darkness in Foxlowe’s first half, the novel’s latter half is much harsher, focusing on the years after the cult is dismantled and examining the long-term negative effects it has on Green’s life.
Wasserberg constructs the world of Foxlowe really well, with the story unfolding in a slow fashion. A lot of time is spent constructing the character of Foxlowe itself – and the house forms a pretty integral part of the story. As we experience the characters’ day to day lives, we slowly become familiar with the building’s many different rooms – and many different secrets. And when the novel decides to finally leave the house behind, it has a really disorientating effect.
Many of Foxlowe’s characters are well developed too, but there are quite a few central members of the cult who we don’t really get to know. Characters like Dylan, Pet, Egg and even Blue – who is pretty central to the plot – are only illustrated with broad strokes. The other main issue I had with the novel, which I’ll stay vague about for spoiler reasons, was the narrative style used by the author in the second half. Wasserberg skips over a huge chunk of the story before returning to it right at the end of novel, just to end Foxlowe on a big reveal. Characters talk about this big moment very vaguely in the novel’s second half, to keep it a secret from the reader, and it ends up feeling like a cheap move. Besides, it becomes pretty obvious what the big moment is far before Wasserberg shows us it at the end of the novel.
But despite these problems, Foxlowe is a great debut. Its fascinating focus definitely helps it to stand out from the crowd.